Are you ready for Anyma at the Las Vegas Sphere on December 31st? This New Year’s Eve could be spectacular, as you could be witness o the perfect culmination of technological forces when Afterlife presents Anyma ‘The End of Genesys,’ a captivating and unique event, presented by Live Nation. Operating at the compelling intersection between art, technology, and music, Anyma—a genre leader heralded for his critically-acclaimed albums Genesys and Genesys II, as well as his high-caliber live shows–is the multidisciplinary music and contemporary art project helmed by Matteo Milleri.
Afterlife has evolved from an event series and record label to become a multidimensional platform for groundbreaking artists and visually sensational installations. As the first electronic music act at the Sphere Las Vegas, and the venue’s first New Year’s Eve performance, Anyma will present the audio/visual ‘Genesys’ show, which has fascinated audiences around the world. The inclusion of special guests will highlight the concluding performance of ‘Genesys.’
The Anyma at the Las Vegas Sphere New Years Eve performance will showcase a meticulously curated selection of music and visual art, ensuring an unforgettable and distinctive encounter. Sphere’s next-generation technologies–including the world’s highest-resolution LED display and its advanced concert-grade audio system, Sphere Immersive Sound, powered by HOLOPLOT– will be combined with Anyma and Afterlife’s signature production. Fans can expect a sensory-expanding mix of innovative visuals and sounds that defy the boundaries of what’s possible.
Vibee, the music-led destination experience company, will be offering official VIP concert & hotel experience packages for Anyma at the Las Vegas Sphere, including premium tickets, a stay at The Venetian Resort – the only resort connected to Sphere – and more perks that are exclusive to Vibee guests. Packages are available right now when you visit the Vibee website. You can also find more information when you visit the webpage for the Sphere as well.